About the conference

AFRO-CUBAN LEGACIES

Afro-Cuban Legacies: Visual Arts, Literature, Theatre, Music and Religion will be an international, interdisciplinary conference that examines Afro-Cuban expressive cultures since the 1960s.  

For more information, please contact Dr. Juanamaría Cordones-Cook, Project Director.

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Afro-Cuban Legacies

presenters wanted

We are seeking individual presentations or panels of 3-4 participants from scholars in a variety of disciplines, including (but not limited to) Black Studies, Afro-Latin American Literature, Cultures and Arts, Visual Studies, Art History, Theater, Film and Media Studies, Music, Religious Studies, Education, and Women and Gender Studies.

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About presentation proposals

Proposals can be in English or Spanish. They should include a title; an abstract of 250 words or less; and the name of the presenter(s), along with their affiliation and contact information. Each presentation will be limited to 20 minutes. Proposals will be peer-reviewed.

Potential topics may include (among others):

  • The arts of the African Diaspora in Latin America, particularly Cuba
  • The intersection of race and the expressive cultures of art, dance, film, literature, material culture, music, and theater
  • Religion and the Arts
  • Rituals, Performances, and Storytelling
  • The dialogue between the arts and their social and political contexts

The deadline for submission is December 20, 2023. Anyone wishing to present a paper may submit a proposal via this form. Applicants will be notified by mid-January 2024. Approved presenters must confirm their attendance by registering for the conference no later than March 1st, 2024. The conference fee is $140 for faculty and $50 for students, which includes presentation of papers, admission to the exhibitions, and all conference activities, including performances, documentary screenings, and other events.

For content information, please contact Dr. Juanamaría Cordones-Cook, Project Director.

GUEST ARTISTS

Seven award-winning contemporary Cuban artists who address the intersections of Afro-Cuban arts, cultures, and religious traditions will attend, including:

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René Peña
René Peña, Sin título

René Peña, Sin título, 2007

René Peña, White Hands of Shame

René Peña, White Hands of Shame, 2015

René Peña, Sin título

René Peña, Sin título, 1998

René Peña, Sin título

René Peña, Sin título, 2012

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Roberto Diago
De la serie, La Paz de tu alma, 2013

De la serie, La Paz de tu alma, 2013

De la serie, La Paz de tu alma, 2013

De la serie, La Paz de tu alma, 2013

De la serie, La Paz de tu alma, 2013

De la serie, La Paz de tu alma, 2013

De la Serie Huella en la memoria, 2015

De la Serie Huella en la memoria, 2015

Resistiendo en el Tiempo, 2017

Resistiendo en el Tiempo, 2017

De la Serie Hombres Libres, 2022

De la Serie Hombres Libres, 2022

SCHEDULE

In addition to keynote addresses, scholarly presentations, and artist roundtables, the conference will include visual arts exhibitions; poetry readings; music, storytelling, and theater performances; and screenings of documentary films directed by Juanamaria-Cordones Cook that feature the Afro-Cuban artists present at the conference.

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Tentative schedule

The schedule shown below is tentative and will be updated as details are confirmed. 

Wednesday, April 10, 2024

  • 9:15-9:45 a.m. — Welcoming remarks 
  • 9:45-11 a.m. — Diago, a Maroon Artist / Artista apalencado 
  • 11-11:15 p.m. — Break
  • 11:15 a.m.-12:30 p.m. — Breakout Sessions
  • 12:30-1:30 p.m. — Lunch 
  • 1:30-2:30 p.m. — Keynote: Ivor Miller 
  • 2:30-4 p.m. — Breakout sessions
  • 4-4:30 p.m. — David Crespy Theater performance 
  • 4-6 p.m. — Dinner break
  • 6-8 p.m. — Art exhibit opening and reception 

Thursday, April 11, 2024

  • 9-9:15 a.m. — Welcoming Remarks at Stephens College
  • 9:15-10 a.m. — Keynote: William Luis
  • 10-11 a.m. — Diago's exhibit at Stephen's Library 
  • 11 a.m.-noon — Nancy Morejon Poetry
  • Noon-2 p.m. — Lunch 
  • 2-4 p.m. — Breakout session
  • 3-3:15 p.m. — Break
  • 3:15-4 p.m. — Roman Diaz performance

Friday, April 12

  • 8:30-9 a.m. — Breakfast 
  • 9-9:45 a.m. — Keynote: Elzbieta Esklodowska
  • 9:45 -10:45 a.m. — Premier of Rene Pena provocation in photography
  • 10:45 - 11 a.m. — Break
  • 11-11:30 a.m. — Monse Duany Performance 
  • 11:30 a.m.-12:30 p.m. — Lunch 
  • 12:30 - 2 p.m. — Breakout Sessions
  • 2-2:15 p.m.  — Break
  • 2:15 -3:15 p.m. — Screening of Fátima Patterson, Race, Gender and Theater / Raza, género y teatro
  • 3:15-4:45 p.m. — Artist Roundtable: Fatimata Vetu, Devorah Major, Adelia Parker, Denise Ward Brown
  • 4:45 - 5:30 p.m. — Fátima Patterson performance
  • 5:30 -6 p.m. — Break
  • 6-8 p.m. — Closing Banquet 

FILM SCREENINGS

Afro-Cuban Legacies will include screenings of documentary films directed by Juanamaria Cordones-Cook that feature the Afro-Cuban artists present at the conference.

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Film Screenings
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Diago, a Maroon Artist / Artista apalencado (Cuba 2013)ca. 28 minutes long with English subtitles. Direction and production by Juanamaría Cordones-Cook. Comment: presentation of a prominent multimedia artist, Juan Roberto Diago (1972). Diago understands the creative possibilities of recycling and bricolage and frequently enriches his images by juxtaposing graffiti with racially contesting implications. He has labeled himself a “maroon artist” and his art work results in cultural resistance. In this documentary, Diago openly discusses issues of race and poverty in contemporary Cuba, as well as their representation in his paintings and installations.


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Nancy Morejón: Famous Landscapes / Paisajes célebres (Cuba 2013), ca. 52 minutes long with English subtitles. Direction and production by Juanamaría Cordones-Cook. This documentary offers a unique perspective on contemporary Cuban culture and intellectual life through the world, artistic achievements and life experience of one of its most celebrated poets, Nancy Morejón (Havana 1944), as well as through the voices and images of prominent Afro-Cuban intellectuals. The music was performed by Richard Egües, Marta Valdés, and Elena Burke.


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Fátima Patterson, Race, Gender and Theater / Raza, género y teatro (Cuba 2019), ca. 43 minutes long with English subtitles. Direction and production by Juanamaría Cordones-Cook. Comment: Presentation of the personal and artistic journey of Fátima de la Caridad Patterson Patterson (Santiago de Cuba 1951), storyteller, actress, theater director, and playwright, who has been distinguished with the Premio Nacional de Teatro 2017, the highest theater award in Cuba. Founder of the Macubá theater group in Santiago de Cuba, Fátima Patterson combats disremembering. She addresses issues of race, gender, and popular religion, through theater and oral history, a genre she masterly practices and incorporates in her artistic work. In a combination of performances, rhythms, and dances, this documentary presents the origin and development of this charismatic artist who with a strong sense of belonging brings to her creations her personal experience intertwined with traditions and components of the ancestral African heritage. The film is enriched by comments of leading Cuban intellectuals, Alberto Lescay Merencio, Enrique Bonne, Vivian Martínez Tabares, Georgina Herrera, Orlando Vergés, and Marino Wilson Jay, complemented by images of Santiago with music by José Aquiles Virelles Rodríguez and the Conga de los Hoyos.